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If it’s New Orleans as well as the novel’s main characters are actually dead for years but are still travelling terrorizing people, it must be an Anne Rice adventure. But it isn’t–it’s the first in a very new series starring a fascinating heroine, Seattle parapsychologist Cree Black, whose own murky past and special gifts make her the right option to investigate a haunted house inside Garden District and the family that’s slowly being scared to death. Lila Beauforte has moved back into her ancestral home, now inhabited by ghosts who seem bent on driving her out. Cree, her senses more attuned to the presence of revenants than flesh-and-blood bad guys, shakes enough closets in Beauforte House to create the skeletons out, solve mysteries in the past at the same time because the present, and fall crazy about an equally appealing if more traditional investigator of the unconscious who may be able to aid her free herself from her very own emotional prison. She’s a smart, vulnerable, and attractive character within an unearthly and unusual thriller that starts off a promising new series which has a howl and presages a long run around the bestseller list. –Jane Adams
Hecht’s New Age ghost story introduces Cree Black, a psychologist of renown transformed years ago in to a hyper-empathic ghostbuster by method of a spectral visit from her beloved husband. Lured from her upscale Seattle offices to some spirit-infested mansion inside the heart of decadent New Orleans, she immediately identifies while using haunted socialite Lila Beauforte. This permits reader Fields to showcase her skills, as Cree’s somewhat brusque, unaccented speech subtly shifts in to a quavering southern drawl. The actress also uses an extraordinary number of bayou accents to distinguish another New Orleanians-from the good ol’ boy gruffness of Lila’s worried husband for the cultured, iron magnolia locutions of her aristocratic mother. The novel has its share of spooky suspense-courtesy of anthropomorphic furniture, disappearing snakes and a pig-faced man-ghost with rape on its mind-and is stuffed with enough scientific rationale to produce these sinister shades seem surprisingly credible. But the origin from the ghosts isn’t challenging to discern, and the many repeat analyses of the case elements will lead restless listeners to agree with Cree’s assistant Joyce Wu when she complains (in Fields’s amusingly on-target Long Island accent), “The metaphysics he-ah certainly are a complete no-brain-ah, and I’m sick ‘a goin’ over it and over it.”
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